1.In what ways does
your media product use, develop or challenge forms and conventions of real
media products? (i.e. of music magazines)
I chose to draw most
of the inspiration for my magazine from The Fader. Because of this my magazine
has used many of the conventions The Fader displays.
My Masthead follows
the same conventions as the Fader’s masthead. The fonts used are similar and
they are both positioned at the top of the page in the largest font on the
cover. This ensures that potential readers notice the magazine on the shelf as
the title of it will be sticking out at the top and remain visible if the
magazine is stacked behind others. Readers will remember the title of the
magazine easier if it is bold and stands out, this could create brand loyalty
but only if the content is good. A convention I haven’t followed is the use of
a coloured square being placed behind the first letter of the masthead, I
didn’t feel it added any appeal to my cover.
The layout of my
contents page is almost completely inspired by the Fader contents page. It uses
basically all the conventions of it and that is obvious when you look at mine
next to the example image. The layout of my cover uses a lot of the conventions
used by the example Fader cover. The placement of the masthead is very similar.
The secondary cover lines are in a similar position and under a “+” like on the
example Maceo edition. The layout of my double page spread uses many of the
conventions of the example double page spread I’ve given. One page is focussed
on an image of the artist then the other page is full of text. I used this
convention as I like the simple layout, it makes the article look more
appealing to read in my opinion. I also used the convention of putting the
issue number on the cover next to the mast head as I thought it looked
appealing in that position whilst also giving the reader information on the
issue.
I have been
conventional with camera work and the framing of my images. My cover features a
mid-shot of the artist which is a common shot type used on Fader covers however
on the example here a close up is used which is also a conventional shot used
for magazine covers.
I styled my artist in
a conventional way to how hip hop artists are usually styled in magazines. My
artist is wearing chains and sunglasses which are typical accessories of
rappers. The Fader styles rappers in a similar way which can be seen on my blog
where I have used other Fader magazines as examples.
My article header is
conventional to The Fader’s article header as it is in a different font to the
rest of the text on the two pages. This makes it stand out to the reader so
they are drawn in to read. The double page spread is also the main feature of
the magazine so conventionally should have a title that makes it stand out if
the reader is just flicking through the issue.
Hip Hop as a genre I
think has become more laid back and less “in your face”. The simple layout of
The Fader magazine represents the current state of hip hop well in my opinion.
That is why I chose to model my magazine based on The Fader. There is very
little text on the cover or contents of my magazine which is conventional to
the Fader and executes the representation of hip hop I’m aiming for. The genre
is more relaxed and broad as a whole which is why a simple layout is needed. The
images used in my magazine are conventional to modern rap magazines such as The
Fader as they show how broad rap is now. One of my images has two grime artists
with the stereotyped rapper image of a thug then another has a picture of a
rapper with indie style sunglasses on and a smile on his face.
The colour scheme of
the cover of the example Fader magazine matches the artist well as it gives the
issue a raw, urban feel. Conventionally the colour scheme of modern rap
magazine covers should give an indicator of the type of artist on it. My
magazine I believe uses this convention as “Cassanova” is quite an elusive,
secretive, dark artist so a black and white cover is perfect. A colourful image
of him follows in the double page spread as the reader is opened up to his
personality through an interview. The colour scheme of the contents is simple
and has no particular personality or vibe. This is a convention from the Fader
I have used as I believe contents pages don’t need to be over complicated or
colourful to be effective in doing the job they are meant for. On the physical version of the Maceo edition of the Fader the barcode is placed in the bottom right of the page. I have used this convention for my cover.
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